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Fic!16 - fic!23

About Fic!16

Previous Entry Fic!16 Jul. 8th, 2006 @ 10:17 pm Next Entry
Title: Surely, Some Revelation
Prompt: Wait
Word Count: N/A



EXT. LITERARY MAGAZINE OFFICE BUILDING - AFTERNOON

It's a bright day, the sun shining, the trees look nice and
green.

ROSS, a 19-year-old burgeoning poet, walks near the building
and looks up at it. He's wearing jeans, a polo, and Chuck
Taylors. Several unlit cigarettes stick out of his shirt
pocket. He holds a piece of paper in his hand.

ROSS
The End Literary Magazine. 2300
Porphyria Way. Yep. This is it.

He sizes up the building and breathes in heavily.



INT. HALLWAY - AFTERNOON

Empty hallway. Ross enters and walks down. The doors he
passes are mainly plain and unassuming, except for one. It is
covered in clippings from newspapers, day-to-day calendar
pages, literary quotes. Next to the door a sign reads "Emery
Penn, Writer". He stops in front of it and pauses for a
moment. He raises his hand to knock but freezes when he sees
a BRIGHT ORANGE POST-IT NOTE placed just at knocking level.

INSERT POST-IT NOTE which reads: "Don't knock. Just wait, and
I'll appear."

Ross looks a little befuddled, then shrugs. He sits on the
floor across from the door. He pulls out from his back pocket
a pen & a small notebook, which he flips open. He writes
something --

ROSS (V.O.)
Lost, lost in the second coming of
Chaos, we face a leap year on
Venus. Finding deeper chasms of
Our own uncertainty,
We swim in thoughtless disorder.

He scratches out the word "disorder" and replaces it with --

ROSS (V.O.)
Disarray.

He looks down at his masterpiece and grimaces. He glances at
his watch, at the door, and then with a pen massacres the
lines he wrote.

O.S. a door opens. Ross whips his head up and straightens his
collar. Instead of his idol, he sees GUY (23, cynical), who
walks toward him.

GUY
Hey, dude, what're you waiting for?

ROSS
I want to talk to Emery Penn.

Guy takes a seat across from Ross, near the door. He takes
out a box of cigarettes from his pocket & reaches for
cigarette.

GUY
Listen, you got a light?

ROSS
No, I don't smoke.

Guy looks at him skeptically. He motions to the various
cigarettes on Ross.

ROSS (CONT'D)
Oh, the cigarettes just complete my
look. (beat) I -- I'm a poet.
That's what I need Emery for. I
don't think that my poems are
meaningful to other people.

GUY
What's this guy supposed to do for
you, then?

ROSS
The man's a literary genius! Have
you ever read any his stuff? Here,
here --

He reaches into his messenger bag and pulls out a recent
issue of the literary magazine Emery writes for. He opens it
to a book-marked page and hands it to Guy. Guy glances at it.

ROSS (CONT'D)
He turns such a simple image into a
statement about humanity's
existence in --

GUY
"Hot, lonely steam
Ascends from an old ceramic cup,
Whose stark white pallor
Contrasts with the brown liquid it
holds, Undrunk,
Forgotten by its distracted Maker."

ROSS
It's so poignant, so full of
weight. That's what I want Emery to
teach me. How to put emotions into
my writing that will really say
something.

Guy plays with the cigarette in his hands.

GUY
You ever read anything by J.D.
Salinger, man?

ROSS
It's Ross, and no, I haven't.

GUY
You should, Ross -- at least his
story "Teddy." There's some line in
there about how poets always stick
their emotions in things that have
no emotions. I'd take that to
heart.

Ross grabs the magazine back from Guy and looks at it, his
brow furrowed.

ROSS
What are you saying?

GUY
I'm saying that not everything has
to have an intense emotion, man. A
poem can just be a poem.

ROSS
But --

GUY
No buts. Are you sure you don't
have a lighter?

A beat.

ROSS
But - but if my poetry has no
emotion and no meaning, then it's
worthless.

GUY
So what if it is?

ROSS
I just think Emery can --

GUY
No, what difference does it make if
your poetry holds infinite emotion?
It's not like you'll ever change
the world. You think anyone pays
attention this garbage?

Ross tousles his hair in uncertainty, with a sigh. Guy picks
up the magazine from the floor and shakes his head.

GUY (CONT'D)
It ends up in people's recycling
bins the day after they read it,
but the hippies are so pissed off
you chopped a tree down to make a
magazine like this in the first
place that they don't do any back
flips for joy that you recycled.

He flings the magazine very nonchalantly a few feet away. He
puts his unlit cigarette in his mouth, letting it hang out of
the corner. Ross looks at the magazine, looks at Guy, then
gets up to retrieve the magazine.

ROSS
How can you say that literature
isn't important?

Guy shakes his head and takes the cigarette out of his mouth.
Ross sits down again and puts the magazine back in his bag.

GUY
Look, I'm not saying that. It's
important, sure, but not because of
its beauty. The poor suckers who
read literary magazines only do so
to find characters whose lives are
worse than their own. Reading makes
them feel better, that's all.

Ross now looks like he's really wavering. He bites his lip as
he looks down at his own poem.

ROSS
You really think so?

Guy nods.

ROSS (CONT'D)
But, this writer Emery --

GUY
Hey, forget about him. If you want
so badly to write something that's
meaningful or what-the-hell-ever,
you gotta pull it out of yourself.

ROSS
What do you mean?

GUY
Listen, you can't just go around
injecting eloquence and value into
writing. It's not like collagen
into a sexagenarian's sagging face.
You either have something to say,
or you don't.

ROSS
Maybe you're right. (a beat) Yeah,
Wordsworth said a poet is just a
man speaking to men, right? I don't
need to write what Emery Penn would
write. I just need to be a man.

GUY
Yeah, be a man. Jesus, I need to
smoke.

Ross looks at the remnants of his poem. He then rips the page
from the notebook and crumples it into a ball in one swift
motion. He throws the ball at Emery's door; it hits the Post
It note and falls to the ground. The Post-It follows in the
ball's wake. Ross puts his notebook away and closes his bag.
He stands.

ROSS
And Emery Penn, yeah, he's a
genius, but he never appeared to
help me out, the jerk. I guess he
wouldn't have been able to help me
anyway. (beat) Thanks man.

GUY
For sure.

Guy puts the unlit cigarette back in his mouth as Ross walks
down the hallway, back from where he came. Guy sits for a
beat, then sighs. He then reaches for the fallen Post-It Note
and stands. He replaces the Post-It exactly where it had been
on the door and smiles slightly. He smooths out the Post-It,
then puts his hands in his pockets and walks away.
Current Mood: boredbored
Current Music: tad dreis -- nothing sexy
Leave a comment
From:(Anonymous)
Date:August 12th, 2006 12:31 am (UTC)
(Link)


hot pal. hot.

♥ jess
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From:chaosm2
Date:August 13th, 2006 05:46 am (UTC)
(Link)
I herd this was made into a movie.



:P
(Leave a comment)
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